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| First
National Day Celebration |
| Li Xianting |
| Yue Minjun's rendition of Tiananmen may seem little
more than a piece of scenery painting, it is steeped in concept.
Employing the anti-cynical language of the ideologist art prevalent
since the 60's, it is an imitation of Chinese painter, Dong
Xiwen's "First National Day Celebration". The latter,
a very famous art work in China, is based on the iconic event
of the First National Day Celebration of the People's Republic
of China by Mao Zedong and the rest of the Communist leaders
at Tiananmen. That painting derived its importance by being
the first and most representative piece of Mao Zedong art typology.
Mao hadalways advocated the notion of art for politics; that
is, art should provide pleasure for the peasants, workers and
soldiers. He also called for artists to learn artistically from
them. "First National Day Celebration" is one such
role model. Evoking the style of peasants' New Year paintings,
the characters are also subjected to constant amendments. Since
its completion in 1951-1953, the painting have bore many changes.
For example, after the secretary of the Chinese Communist party
northeastern section, Gao Gang, was charged, his portrait was
subsequently removed from the original painting. Also, following
the ousting of the Number Two leader, Liu Shaoqi, during the
Cultural Tevolution, his position in the painting was replaced
by Dong Biwu. The wit and humour of Yue Minjun's imitation piece
lies in: he creates his own amendment of the original painting,
only this time, his replica does not carry any human character.
Such treatment will surely provoke an introspective response
in viewers. |
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